{"id":2852306,"date":"2025-09-12T09:31:08","date_gmt":"2025-09-12T14:31:08","guid":{"rendered":"https:\/\/onthinktanks.org\/?p=2852306"},"modified":"2025-10-02T06:25:04","modified_gmt":"2025-10-02T11:25:04","slug":"beyond-the-echo-chamber-how-shakira-made-me-reimagine-think-tank-communication","status":"publish","type":"post","link":"https:\/\/onthinktanks.org\/articles\/beyond-the-echo-chamber-how-shakira-made-me-reimagine-think-tank-communication\/","title":{"rendered":"Beyond the echo chamber: How Shakira made me reimagine think tank communication"},"content":{"rendered":"
Shakira filled the GPN Seguros stadium in Mexico City eight times this year. Her recent <\/span>Las Mujeres No Lloran<\/span><\/i> tour captivated more than 2.5 million people across America, with over one million in Mexico alone. But it is more than just music; the show pulses with her \u201cwolf mandates,\u201d tapping into the rising spirit of women\u2019s autonomy. Tens of thousands of people shout in unison: \u201c<\/span>Las mujeres no lloran, las mujeres facturan<\/span><\/i>\u201d: \u201cWomen don\u2019t cry, women cash in.\u201d The words flash across screens, appear on T-shirts and hats, and echo across social media. Shakira\u2019s album became the most-streamed in 2024 with billions of combined plays on Spotify and YouTube, proving the extraordinary reach of her message. What started as a lyric has become a global slogan, mobilising audiences with a speed and scale that a carefully crafted press release, report, or institution can rarely match.<\/span><\/p>\n In the middle of this sea of voices, I noticed an older man, conservative in style and demeanour, proudly wearing a bright cap with the slogan embroidered on it. Watching him, I wondered: Does he really embrace the call for women\u2019s independence, or is he just enjoying a catchy phrase stripped of its deeper meaning? Around us, the crowd roared on, each person making the message their own. For some, it\u2019s empowerment. For others, just a tune. And for women who still face structural barriers, \u201ccashing in\u201d isn\u2019t even an option. The moment shows both the power and the risk of mass communication: it spreads quickly, but its meaning changes once it leaves the stage.<\/span><\/p>\n Think tanks face a similar challenge. They, too, want their “lyrics” to be repeated loudly because influence depends on it (See <\/span>Communication options for think tanks: channels and tools<\/span><\/a>). But unlike Shakira, their reach is limited. And if their message is unclear, the risk is high: credibility and reputation can crumble, and with them, relevance. That’s why audiences matter so much. Understanding them is not optional; it’s the starting point of influence. Yet, too often, audience analysis is treated as a one-time exercise rather than an ongoing strategy.<\/span><\/p>\n As the article <\/span>“Selecting Different Ways to Reach Audiences”<\/span><\/a> reminds us, mapping audiences is a continuous effort. When think tanks compare who they want to reach with the channels they actually use, they often find mismatches. Some channels reach everyone indiscriminately, others speak only to narrow groups, and some crucial audiences are entirely ignored. Spotting these gaps helps decide which channels to strengthen, adapt, retire, or create.<\/span><\/p>\n And audiences don\u2019t stand still. As behaviour shifts, think tanks must adjust by testing new formats, refining old ones, and sometimes letting go. Look again at Shakira: her reach isn\u2019t just about talent, it\u2019s about connecting with people where they are, in ways they trust. For think tanks, the parallel questions are unavoidable: What would happen if their research reached people with the speed and energy of a pop tour? Should they work with influencers to bridge the gap? And how should they handle their already complex relationship with social media? Nick Scott raised these questions more than a decade ago in <\/span>What social media and digital tools are think tanks using in their work?<\/span><\/a> They\u2019re even more urgent today.<\/span><\/p>\nMapping audiences: A continuous effort<\/b><\/h3>\n
Learning from influencers and algorithms<\/b><\/h3>\n